Contemporary British Drama Essay Example | Topics and Well Written Essays - 4000 words

Contemporary British Drama - Essay ExampleIn terms of productivity and impact, we can say that since Shakespeares time, no other(a) historical period has produced more controversial, brilliant and self-reflected plays as the drama in the last century.Changes in British society affected, influenced and are reflected in the tendencies in the theater. As intellectuals, playwrights react to the social changes, political and economic conditions, to internal governmental conflicts and depict them in their plays. In this paper, I will attempt to demonstrate that British identity seen through the eyes of contemporary drama has become unconventional. In the plays Feel Good by Alistair Beaton and In - Yer - Face Theatre by Alek Sierz Britishness is explored to its minute expatiate in shocking and unexpected r eventidelations. The idea about Britain and British identity that I found most significant and which is conveyed through the above plays is the total and autocratic honesty, which at times borders with our own innermost moral principles. The other idea that strikes me is that even though, the plays that I choose are comedies, they dwell on current populace and biting social and political issues feed both the dramatist and audiences imagination.The tendency of the British modern drama is to transform and modify essential theatrical elements identical dialogue, set and characterization to extremes of parody, satire, exaggerations and deconstructions. Contemporary British drama is essential, because it is part of the cultural dialogue between intellectuals and the whole nation. Plays deliver ideas, not only about the British identity, but also about its self-presentation to the rest of the world. Modern, British playwrights investigate the subtle changes in the kingdom and its socio-political quests. The contemporary British drama is wittily celebrating the class changes and late class identifications and the formation of a different elite class. The modern age gives the opportunity for playwrights to probe into the existential social anxieties and torment the British nation. The stage is handle a mirror for the nations identity and writers use their verbal and visual resources to describe what matters for their fellow-citizens. Many of the dramatics that successfully presented their plays in the 1970s and 1980s, still continue to actively produce remarkable intellectual masterpieces. Alistair Beaton is Scottish journalist with left wing political convictions. In the last two decades besides his media presentations he succeeded as a very productive novelist and playwright. In his play Feel Good Beaton creates an unprecedented political farce. This play is a comic revenge on New poke spin and the governments grimness. Alistair Beatons play is about the clandestine panic that underlies Labours preoccupation with spin. In short, it is about money, though behind the play lurks a deeper point that the author wants to make. Although, it was d o to be a comedy, this play is best understood through its current political reality. This is something that Beaton was aiming for. The play is set in a seaside hotel on the eve